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PRI at ten & Blueprint

Design for PRI’s tenth anniversary and its plan for the next decade

Identity · Print · Digital · Film · Events
2016–2017 / An 18-month programme

The landscape-format Blueprint for Responsible Investment, with its blue architectural cover and slipcase
The Blueprint report / Cover and slipcase
Principles for Responsible Investment

The Principles for Responsible Investment (PRI) marked its tenth anniversary in 2016, then published its Blueprint for Responsible Investment in 2017. Alessandro Boaretto, PRI’s sole in-house designer, worked on both across an 18-month programme alongside the organisation’s everyday design needs.

His role covered the identity, publications, websites and campaign materials, as well as coordinating suppliers and production. He worked with PRI’s communications team, internal colleagues, web agencies, filmmakers and print partners.

Brand identity A mark for ten years

A year of anniversary communications needed an identity that would work on a website, in print and at events. Alessandro and the Head of Communications mapped the requirements with internal teams, then agreed what they could make in-house and where they needed outside help.

Six larger squares in the anniversary mark stand for PRI’s six principles. Four smaller squares bring the total to ten. The mark gave the different campaign materials a common point of reference.

A blue PRI tenth anniversary roll-up showing the ten-square anniversary mark and campaign identity
The anniversary identity in a physical event format
Programme timeline connecting signatory consultation, anniversary celebrations and development of the Blueprint
A shared timeline / Bringing the celebration and future strategy together

Web design Past, present and future

The anniversary website gave visitors three ways into PRI’s work: an interactive timeline of its achievements, an invitation for signatories to act, and a section setting out the Blueprint’s priorities for the future.

Alessandro built the coming-soon page in HTML and CSS with help from IT. He then worked with a web agency on the full site’s design, structure and content, staying involved through development and feedback. The site was delivered ahead of schedule.

Film production Asking signatories to act

The anniversary film asked signatories to renew their commitment to PRI’s six principles and share it with a wider audience. Alessandro helped develop the script with managers and the production company, then supervised the three-day shoot in a London studio.

Some contributors were less comfortable in front of a camera, so preparation and casting needed attention during the shoot. Giving people time to settle in became a lesson Alessandro took into later filming work and a guide for speakers recording their own clips.

Campaign and event design An international programme

The identity appeared at half-day events in London and New York and the annual conference in Singapore. Alessandro designed flyers, venue materials and advertising, including a Financial Times advert. The #PRIat10 campaign invited signatories to share their views on the organisation’s future.

He also coordinated signatory interviews in London, New York and Tokyo. When the Japanese footage did not meet the standard needed for the finished film, he travelled to Tokyo to supervise a reshoot with a local bilingual production company.

A Financial Times newspaper spread with a PRI conference advertisement using the anniversary identity
Extending the campaign into print advertising

Information design How the Blueprint fits together

The Blueprint set out PRI’s priorities for 2016–2026, drawing on consultation with signatories and external advisers. Alessandro designed the publication and most of its website, and worked with partners on the explanatory film, campaign materials and Berlin conference presence.

A cutaway planet pictured the relationship between responsible investors, sustainable markets and a prosperous world. Its layers showed how the Blueprint’s three areas of influence depend on one another, giving the report and campaign a shared image to work with.

Editorial and print design A book people could keep

The book needed to stand apart from PRI’s usual publications. With limited time and money, Alessandro and his manager put most of the budget into the printed report, which signatories and conference attendees could take away and keep.

With a Kent print supplier, Alessandro developed an A4 landscape book with a case-bound cardboard cover, lay-flat binding and a slipcase. The binding kept the full spread readable, while FSC-certified paper met the production brief. He worked with the editor to bring the text and statistics into layouts built around photography and information graphics. PRI’s chief executive praised the book’s layout and presentation.

A wide Blueprint spread with wildlife photography, a world map and responsible investment data
A more visual presentation of the Blueprint’s recommendations

Digital design and motion The Blueprint campaign

Building the Blueprint website in-house left more of the budget for the book. Alessandro used a purchased template and coded most of the pages, asking a colleague in the PRI Academy team for help when needed. Internal testing and approval followed before launch.

Social cards and an animated explainer carried the Blueprint online and into the Berlin conference. Alessandro worked with an animation agency on a film that explained the global challenges, PRI’s proposed response and what signatories could do. The same design also shaped the conference stand and venue graphics.

The Blueprint microsite displayed on a monitor, with a grid of photographic content cards and blue navigation
The Blueprint microsite / A static view of the original design

Campaign concept ESG Ride

Alessandro also proposed a London-to-Berlin cycling event for PRI employees and signatories. It was a way to connect sustainable travel with the conference and involve people beyond the investment community.

He researched routes and safety with an event specialist, prepared a proposal and designed jerseys under #ESGRIDE. A video diary would have let a wider audience follow the journey. The public campaign did not go ahead: the original group preferred a private ride among colleagues. The proposal underlined the need to agree who wanted to take part before developing a larger campaign.

A slide from the ESG Ride proposal showing an alternative cycling route with distance and elevation information
Route research within the proposal / The public campaign was not delivered

Project details

Client
UN-supported Principles for Responsible Investment
Period
2016–2017 / Approximately 18 months
Designer
Alessandro Boaretto / PRI’s in-house designer
Collaboration
PRI communications and internal teams, web and animation agencies, international film crews and print suppliers
Scope
Identity, editorial and production design, microsites, film coordination, campaign and event materials
Context
Work created before Eidon Creative was formed. ESG Ride remained a proposal.

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